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• Sales Rank: #2094064 in Books
• Published on: 1994
• Number of items: 2
• Binding: Hardcover

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Ebook Crime and Punishment: Pevear & Volokhonsky Translation (Vintage Classics)

Ebook Crime and Punishment: Pevear & Volokhonsky Translation (Vintage Classics)

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From Publishers Weekly

An acclaimed new translation of the classic Russian novel. Copyright 1993 Reed Business Information, Inc.

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Review

“The best [translation of Crime and Punishment] currently available…An especially faithful re-creation…with a coiled-spring kinetic energy…Don’t miss it.” –Washington Post Book World “This fresh, new translation…provides a more exact, idiomatic, and contemporary rendition of the novel that brings Fyodor Dostoevsky’s tale achingly alive…It succeeds beautifully.” –San Francisco Chronicle “Reaches as close to Dostoevsky’s Russian as is possible in English…The original’s force and frightening immediacy is captured…The Pevear and Volokhonsky translation will become the standard English version.”–Chicago Tribune

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Product details

Series: Vintage Classics

Paperback: 565 pages

Publisher: Vintage; Reprint edition (March 2, 1993)

Language: English

ISBN-10: 0679734503

ISBN-13: 978-0679734505

Product Dimensions:

5.2 x 1.2 x 8 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

3,140 customer reviews

Amazon Best Sellers Rank:

#4,754 in Books (See Top 100 in Books)

The two popular translations of ‘Crime and Punishment’ before the 1993 translation by Richard Pevear and Larissa Volokhonsky, were by Constance Garnett and David McDuff. The Pevear/Volokhonsky translation became my favourite – until Oliver Ready’s translation came along. Not knowing a word of Russian, I declare my favourite only by the enjoyment I derived from reading the book in English.Many things may indeed be lost in translation, and many others get misrepresented but we may not know. The result of reading only the English versions is that one’s choice is largely subjective. Compared to the Garnett version, the Pevear/Volokhonsky translation seems very modern – until Ready’s came along. Little things like changing ‘had not’ to ‘hadn’t’ renders Ready’s version not only a little more modern but also more informal. That is not to say that the atmosphere of old Russia is lost. Ready uses ‘fibs’ for ‘lies’ (Pevear/Volokhonsky) in one passage.Ultimately, the reader has to decide for himself which style he enjoys more. Here is a comparison from one of my favourite passages (there are many) from the book. I set out first the Pevear/Volokhonsky version then the Ready version:“What do you think?” Razmumikhin shouted, raising his voice even more. “You think it’s because they’re lying? Nonsense! I like it when people lie! Lying is man’s only privilege over all other organisms. If you lie- you get to the truth! Lying is what makes me a man. Not one truth has ever been reached without lying fourteen times or so, maybe a hundred and fourteen, and that’s honourable in its way; well, but we can’t even lie with our minds! Lie to me, but in your own way, and I’ll kiss you for it. Lying in one’s own way is almost better than telling the truth in someone else’s way; in the first case you’re a man, and in the second – no better than a bird. The truth won’t go away, but life can be nailed shut; there are examples. (Pevear/Volokhonsky)‘Now what are you thinking?’ cried Razumikhin, raising even more. ‘That it’s their lies I can’t stand? Nonsense! I like it when people lie. Telling lies is humanity’s sole privilege over other organism. Keep fibbing and you’ll end up with the truth! I’m only human because I lie. No truth’s ever been discovered without fourteen fibs along the way, if not one hundred and fourteen, and there’s honour in that. But our lies aren’t even our own! Lie to me by all means, but make sure it’s your own, and then I’ll kiss you. After all, lies of your own are almost better than someone else’s truth: in the first case you’re human; in the second you’re just a bird! The truth won’t run away, but life just might – wouldn’t be the first time.Ready’s version has a table of chronological events and a fresh, inspiring introduction that will help the first-time reader understand and appreciate the context of ‘Crime and Punishment’

I do not know what my review can add to the Brothers Karamazov, but I will put in a few of my words. I have now read this book six times through and every time I am simply amazed at the complexity of vision that Dostoevsky brought to the page. My copy of the book is littered with page numbers written in the margins that connect the dots between all of the recurring scenes, ideas, images, phrases, and philosophies. It has taken years of sustained thought to be able to draw all of these connections, which makes it somewhat unbelievable that Dostoevsky was able to write it in the time frame that he did. Because of this, though, I have found this translation to be the only reasonable choice for the serious student. Many earlier translations ironed out potentially awkward phrasings, and thereby destroyed the parallelism that was being masterfully established.I have shed so many tears on the pages of my copy of this book that I am surprised it is still holding up as well as it is. There is a sensitivity and beauty to this text that I have never been able to find anywhere else, even in other works by Dostoevsky. It is, quite simply, the most masterful examination of agape (active love), faith, and justice, and redemption that I have ever encountered in my life, in philosophy, history, literature, film, or otherwise. There are no words to offer that can capture how profoundly this book has changed me for the better.

Most people know that The Brothers Karamazov is an amazing novel, so I will only be criticizing the translation; however, I haven't read any other translations to verify my knowledge on the subject, and I would suggest going getting samples of different translations in order to best suit your needs.The Richard Peaver & Larissa Volokhonsky translation of The Brothers Karamazov is good. It's being marketed as the best, but it really isn't. There is not a 'best' translation of Dostoyevsky, or really, any other Russian author I've researched; no, there isn't a 'best' translation of a book that I know of. To my understanding the Peaver translations usually stick incredibly close to the original source material, which is a double edged sword; most people want a translation that doesn't loose something or other in translation. This one is very close to doing so, but as I said it's a double edged sword; they leave in the syntax, and a very foreign syntax at that. This can cause problems for a casual reader, but it wasn't a problem for me. What really matters is the readers personal preference. I will add the first sentence of the P&V, McDuff, and Garnett translations to see which one you'd most like:"Alexei Fyodorovich Karamazov was the third son of a land owner from our district, Fyodor Pavlovich Karamazov, well known is his own day (and still remembered among us) because of his dark and tragic death, which happened exactly thirteen years ago and which I shall speak of in its proper place." - P&V"Aleksey Fyodorovich Karamazov was the third son of a landowner in our district, Fyodor Pavlovich Karamazov, so noted in his time (and even now still recollected among us) for his tragic and fishy death, which occurred just thirteen years ago and which I shall report in its proper context." - McDuff"Alexey Fyodorovich Karamazov was the third son of Fyodor Pavlovich Karamazov, a landowner well known in our district in his own day, and still remembered among us owing to his gloomy and tragic death, which happened thirteen years ago, and which I shall describe in its proper place." - GarnettMoving on to the edition I have. It's ISBN is 978-0374528379, but it is the best selling edition as of 8/1/2017; you probably won't have any trouble finding it. This paperback is a great durable edition. I kept it in my backpack for school each day for basically the entire second semester without too much serious wear (check the photos to judge yourself). The font is big enough to read well without straining your eyes... or at least it was for me. It's still holding together nicely is what I'm trying to say. The binding is glued, too; if you didn't know. This edition has a cover in which I will describe as rough-soft feeling; I enjoyed holding it in my hands.Finally, sorry for the poor camera quality. The soda can piece is there to show how big the text is in comparison. The torn piece on the back is from a mishap I am accountable for not the book, although it says something about the books durability; it happened near the end of my usage with it.

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Ebook Download The Trojan War: Chronological, Historical and Archaeological EvidenceBy Gerard Gertoux

Ebook Download The Trojan War: Chronological, Historical and Archaeological EvidenceBy Gerard Gertoux

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The Trojan War is the foundation of Greek history. If Greek historians had little doubt of its existence they remained extremely sceptical regarding its mythological origin. Archaeology has confirmed one essential point: there was indeed a general conflagration in the Greek world around 1200 Bce, the assumed period of that war, which caused the disappearance of two powerful empires: Mycenaean on one hand and Hittite with its vassals on the other hand. The inscriptions of Ramses Iii's year 8 describe actually a general invasion of the Mediterranean by the "Sea Peoples". A precise chronological reconstruction shows that there was a confrontation between a Greek heterogeneous confederation, consisting of pirates, and a set of vassal kingdoms of the Hittite empire, such as Troy and Ugarit, which ended with their complete mutual destruction in 1185 Bce, the climax of the Trojan War. This conclusion was already that of Eratosthenes.

• Sales Rank: #8038505 in Books
• Published on: 2016-03-25
• Released on: 2016-03-25
• Original language: English
• Dimensions: 9.00" h x .48" w x 6.00" l, .85 pounds
• Binding: Paperback
• 202 pages

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Free PDF Geography Lesson: Canadian NotesBy Allan Sekula

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Photographer and writer Allan Sekula constructs narratives that define land and its political, social, and economic demarcations. He has described Geography Lesson: Canadian Notes as a conjectural comparison of imaginary and material geographies in the advanced capitalist world. In the book, which is based on a 1986 exhibition, he examines the iconography found in images of a landscape altered by mining, of bank architecture and its messages of cultural stability, and of the land as a source of economic wealth as it appears on Canadian money.The seventy-six photographs form a narrative sequence augmented by captions and by the text, which is written in the subjective voice of a single investigator and storyteller. The photographs link two sites: the Inco mine and smelter in Sudbury and the Bank of Canada in Ottawa. The deep roots of their existence -- the creation and distribution of wealth -- are far more intimately connected than appearances would suggest. Canadian bills bear images of industry that draw resources from the land, contributing to the myth of national independence and self-determination. Issues of national identity and independence acquire a heightened poignancy in light of Sekula's underlying subject, the relationship between Canada's resource-based economy and U.S. capital.In essays following Sekula's text, Gary Dufour discusses Canadian Notes as an examination of social and economic discourses that shape perceptions of the land, and John O'Brian discusses the dynamics of a resource-based economy, relations between Canada and the United States, and photography's ability to regulate appearances and therefore to control reality.Distributed for the Vancouver Art Gallery

• Sales Rank: #2383766 in Books
• Published on: 1997-08-08
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .20" w x 8.70" l, 1.08 pounds
• Binding: Paperback
• 96 pages

About the Author
Allan Sekula lives and works in Los Angeles. From 1985 to 1993 he was director of the photography program at the California Institute of the Arts, where he is now a faculty member.

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PDF Ebook The Russian Vision: The Art of Ilya RepinBy David Jackson

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Ilya Repin (1844-1930) is a key figure of Russian nineteenth-century realism; his career spanned a period of huge cultural, social and political change, bearing witness to the challenge to the Russian autocracy, the coming of the October Revolution and the dawn of the Soviet Union. From humble peasant beginnings Repin rose to a place of artistic pre-eminence and international acclaim and was the most important influence in shaping a distinctly Russian school of art. Through a series of successful but controversial works he addressed such issues as the hard lives of the peasants, the fate of revolutionary activists and Russian history, as well as painting some of the nation's greatest cultural figures, many of whom - such as Tolstoy, Mussorgsky and Gorky - he counted as personal friends.

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Combining close readings of all his major canvases, as well as many of his lesser-known works, within the broader context of Russian art, society and culture, written in an accessible style, David Jackson's book, featuring more than 100 colour plates of Repin's work, and telling the story of his life, will do much to help restore his stature.

• Sales Rank: #1022717 in Books
• Brand: ACC Art Books
• Published on: 2015-10-16
• Original language: English
• Number of items: 1
• Dimensions: 12.14" h x .95" w x 9.60" l, 3.55 pounds
• Binding: Hardcover
• 216 pages

About the Author
David Jackson is Co-Founder and President of The SC Group of Companies (Showcase Entertainment, Inc., Showcase For Kids & SC Global Media) with Showcase being a member of Independent Film and Television Alliance. Over the last twenty years, he has successfully produced, marketed and/or licensed over three hundred feature films throughout the world in all media. Her worldwide clients include Sony Entertainment, Disney/Buena Vista, MGM, New Line, Lionsgate, HBO, Showtime, Sony Pictures Television, Lifetime, Oxygen, Village Roadshow, Endemol, Nordisk Film, 20th Century Fox, BBC, British Sky Broadcasting, TF1, Canal +, RTL, ZDF, Pro Sieben, Antena 3, Mediaset, Miko/NHK, Disney Channel, Nickelodeon, HBO Latin America and Cartoon Network, just to name a few. Prior to the SC Group, Jackson co-founded the worldwide distribution company, Curb/Esquire Films (currently Curb Communications), with Mike Curb. Further, he served as Executive Vice President/Chief Operating Officer of Curb/Musifilm whose partners included Universal Pictures. Amongst other things, Curb/Musifilm developed and co-produced "sex, lies and videotape" which won the Cannes Film Festival for Best Picture (the Palme D'Or). In production, Jackson initially produced several films for RCA/Columbia (ultimately Columbia/Tristar) with Morgan Mason ("sex, lies and videotape"), John Hardy ("Ocean's Eleven," "Erin Brockovich") and Jason Clark ("Stuart Little") to fill the demand for RCA/Colombia's home video line. Most recently he produced the feature film "You May Not Kiss The Bride," starring Katharine McPhee, Rob Schneider, Kathy Bates, Mena Suvari, Dave Annable and Vinnie Jones, Executive Produced "Flight 29 Down" for NBC/Discovery Kids, and more. Further, Jackson is an attorney specializing in the area of Entertainment. Prior to building Curb/Esquire Films, Jackson served as an attorney at Capitol Records and was then recruited by MCA Records where he served as the Vice President of Business Affairs. Thereafter, Jackson went into the private practice of law where he represented recording artists, record and film producers and film distribution companies.

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Download A Treatise on the Binomial Theorem (Texts in Mathematics)By Craig Smorynski

Download A Treatise on the Binomial Theorem (Texts in Mathematics)By Craig Smorynski

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A Treatise on the Binomial Theorem (Texts in Mathematics)By Craig Smorynski

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"The binomial theorem is usually quite rightly considered as one of the most important theorems in the whole of analysis." Thus wrote Bernard Bolzano in 1816 in introducing the first correct proof of Newton's generalisation of a century and a half earlier of a result familiar to us all from elementary algebra. Bolzano's appraisal may surprise the modern reader familiar only with the finite algebraic version of the Binomial Theorem involving positive integral exponents, and may also appear incongruous to one familiar with Newton's series for rational exponents. Yet his statement was a sound judgment back in the day. Here the story of the Binomial Theorem is presented in all its glory, from the early days in India, the Moslem world, and China as an essential tool for root extraction, through Newton's generalisation and its central role in infinite series expansions in the 17th and 18th centuries, and to its rigorous foundation in the 19th. The exposition is well-organised and fairly complete with all the necessary details, yet still readable and understandable for those with a limited mathematical background, say at the Calculus level or just below that. The present book, with its many citations from the literature, will be of interest to anyone concerned with the history or foundations of mathematics.

• Sales Rank: #3052222 in Books
• Brand: Brand: College Publications
• Published on: 2012-10-08
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .74" w x 6.14" l, 1.10 pounds
• Binding: Paperback
• 358 pages

Features

• Used Book in Good Condition

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Free Download Hydrometallurgy: Fundamentals and ApplicationsBy Michael L. Free

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As the first book to compile the fundamentals, applications, reference information and analytical tools on the topic, Hydrometallurgy presents a condensed collection of information that can be used to improve the efficiency and effectiveness with which metals are extracted, recovered, manufactured, and utilized in aqueous media in technically viable and reliable, environmentally responsible, and economically feasible ways. Suitable for students and researchers, this college-level overview addresses Fundamentals of Chemical Metallurgy in Aqueous Media, Speciation and Phase Diagrams, Rate Processes in Aqueous Metal Processing, Aqueous Metal Extraction and Leaching, Fundamentals of Metal Concentration Processes and more.

• Sales Rank: #1190513 in Books
• Published on: 2013-10-07
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.10" w x 6.40" l, 1.67 pounds
• Binding: Hardcover
• 444 pages

From the Back Cover

Explores the fundamentals as well as the latest applications in hydrometallurgy

With its unique blend of fundamentals, methods, and applications, this text provides a college-level introduction and overview of hydrometallurgy, the chemical processing of metals in aqueous solutions. The author provides an expertly organized collection of information and analytical tools for effective and efficient extraction, concentration, and recovery of metals from ores, concentrates, and recycled or residual materials. Moreover, readers will discover a broad range of hydrometallurgical methods that are both environmentally responsible and economically feasible.

This text explores several essential topics that are generally not covered extensively in other hydrometallurgy texts, including aqueous electrometallurgy, aqueous corrosion, environmental hydrometallurgy, and metal utilization in aqueous media. In addition, the text covers such topics as:

• Speciation and phase diagrams
• Rate processes in aqueous metal processing
• Aqueous metal extraction and leaching
• Metal concentration processes
• Selective aqueous metal recovery phases
• Process design principles for aqueous processing of metals

Hydrometallurgy also covers environmental regulations as well as remediation technologies. Detailed examples as well as illustrations throughout the chapters help readers fully grasp complex concepts and apply them in practice. At the end of the text, a group of appendices brings together valuable reference materials, including atomic weights, important constants, conversion factors, and laboratory calculations.

Hydrometallurgy is written for students and professional engineers who use, produce, concentrate, or remove metals processed in aqueous media. The text's coverage of the fundamentals is ideal for readers new to the field, while its coverage of advanced topics enables more experienced engineers to take full advantage of the latest applications in hydrometallurgy.

About the Author

MICHAEL L. FREE, PhD, is Professor of Metallurgical Engineering at the University of Utah. Dr. Free's research sheds new light on metal processing and interactions in aqueous media. He has been the principal investigator for fifty research projects funded by the Department of Energy, Office of Naval Research, National Science Foundation, and various private corporations. Dr. Free has also authored or coauthored more than 100 publications.

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